<?xml version="1.0" encoding="UTF-8" standalone="no"?><b:Sources xmlns:b="http://schemas.openxmlformats.org/officeDocument/2006/bibliography" xmlns="http://schemas.openxmlformats.org/officeDocument/2006/bibliography" SelectedStyle="\MLASeventhEditionOfficeOnline.xsl" StyleName="MLA" Version="7"><b:Source><b:Tag>She61</b:Tag><b:SourceType>Book</b:SourceType><b:Guid>{2857A2F3-0B2B-4C6C-9A83-9B08F9473024}</b:Guid><b:Author><b:Author><b:NameList><b:Person><b:Last>Sherburne</b:Last><b:First>D.</b:First></b:Person></b:NameList></b:Author></b:Author><b:Title>A Whiteheadian Aesthetic</b:Title><b:Year>1961</b:Year><b:City>New Haven</b:City><b:Publisher>Yale university Press</b:Publisher><b:RefOrder>1</b:RefOrder></b:Source><b:Source><b:Tag>Sha09</b:Tag><b:SourceType>Book</b:SourceType><b:Guid>{128EF93F-1AC1-404D-BEB4-5FAB386402DD}</b:Guid><b:Author><b:Author><b:NameList><b:Person><b:Last>Shaviro</b:Last><b:First>St.</b:First></b:Person></b:NameList></b:Author></b:Author><b:Title>Without Criteria : Kant, Whitehead, Deleuze, and Aesthetics</b:Title><b:Year>2009</b:Year><b:City>Cambridge, Mass.</b:City><b:Publisher>MIT Press</b:Publisher><b:RefOrder>2</b:RefOrder></b:Source><b:Source><b:Tag>Odi16</b:Tag><b:SourceType>Book</b:SourceType><b:Guid>{1D167C90-9C5D-46E3-8DAE-5550E45B5CFD}</b:Guid><b:Author><b:Author><b:NameList><b:Person><b:Last>Odin</b:Last><b:First>St.</b:First></b:Person></b:NameList></b:Author></b:Author><b:Title>Tragic Beauty in Whitehead and Japanese Aesthetics</b:Title><b:Year>2016</b:Year><b:City>Lanham</b:City><b:Publisher>Lexington</b:Publisher><b:RefOrder>3</b:RefOrder></b:Source><b:Source><b:Tag>Wes90</b:Tag><b:SourceType>Book</b:SourceType><b:Guid>{0C25D4A0-987A-45ED-9B2D-98D770115D4C}</b:Guid><b:Author><b:Author><b:NameList><b:Person><b:Last>Wessell</b:Last><b:First>L.</b:First></b:Person></b:NameList></b:Author></b:Author><b:Title>Zur Funktion des Ästhetischen in der Kosmologie Alfred North Whiteheads</b:Title><b:Year>1990</b:Year><b:City>Frankfurt am Main</b:City><b:RefOrder>4</b:RefOrder></b:Source><b:Source><b:Tag>Eli18</b:Tag><b:SourceType>Book</b:SourceType><b:Guid>{D4B3B027-F859-45D4-8101-6F274E668EE9}</b:Guid><b:Author><b:Author><b:NameList><b:Person><b:Last>Maor</b:Last><b:First>Eli</b:First></b:Person></b:NameList></b:Author></b:Author><b:Title>Music by numbers: from Pythagoras to Schoenberg</b:Title><b:Year>2018</b:Year><b:City>Princeton</b:City><b:Publisher>Princeton University Press</b:Publisher><b:RefOrder>5</b:RefOrder></b:Source><b:Source><b:Tag>Bri10</b:Tag><b:SourceType>Book</b:SourceType><b:Guid>{BD561F80-3746-4739-9B35-5DB5A2DCC3C9}</b:Guid><b:Author><b:Editor><b:NameList><b:Person><b:Last>Brian Hulse</b:Last><b:First>Nick</b:First><b:Middle>Nesbitt</b:Middle></b:Person></b:NameList></b:Editor></b:Author><b:Title>Sounding the Virtual: Gilles Deleuze and the Theory and Philosophy of Music</b:Title><b:Year>2010</b:Year><b:City>Farnham/Surrey</b:City><b:Publisher>Ashgate</b:Publisher><b:RefOrder>6</b:RefOrder></b:Source><b:Source><b:Tag>Edu91</b:Tag><b:SourceType>Book</b:SourceType><b:Guid>{3B384DA4-6393-441E-A4AB-A4D5AC5E954B}</b:Guid><b:Author><b:Author><b:NameList><b:Person><b:Last>Hanslick</b:Last><b:First>Eduard</b:First></b:Person></b:NameList></b:Author></b:Author><b:Title>The Beautiful in Music</b:Title><b:Year>1891</b:Year><b:City>London</b:City><b:RefOrder>7</b:RefOrder></b:Source><b:Source><b:Tag>Ric09</b:Tag><b:SourceType>Book</b:SourceType><b:Guid>{4DAE083B-98B1-476A-89BD-06C592329938}</b:Guid><b:Author><b:Author><b:NameList><b:Person><b:Last>Scruton</b:Last><b:First>Richard</b:First></b:Person></b:NameList></b:Author></b:Author><b:Title>The Aesthetics of Music</b:Title><b:Year>1997 (repr. 2009)</b:Year><b:City>Oxford</b:City><b:Publisher>Oxford University Press</b:Publisher><b:RefOrder>8</b:RefOrder></b:Source><b:Source><b:Tag>Chr97</b:Tag><b:SourceType>Book</b:SourceType><b:Guid>{A2ACACAA-1509-4F4E-BFED-7268EEDFFD49}</b:Guid><b:Author><b:Author><b:NameList><b:Person><b:Last>Hasty</b:Last><b:First>Christopher</b:First><b:Middle>F.</b:Middle></b:Person></b:NameList></b:Author></b:Author><b:Title>Meter as Rhythm</b:Title><b:Year>1997</b:Year><b:City>Oxford</b:City><b:Publisher>Oxford University Press</b:Publisher><b:RefOrder>9</b:RefOrder></b:Source><b:Source><b:Tag>Vic56</b:Tag><b:SourceType>Book</b:SourceType><b:Guid>{C88DABE9-2A84-4EC2-B353-1251A09700A7}</b:Guid><b:Author><b:Author><b:NameList><b:Person><b:Last>Zuckerkandl</b:Last><b:First>Victor</b:First></b:Person></b:NameList></b:Author></b:Author><b:Title>Sound and Symbol, Music and the External World</b:Title><b:Year>1956</b:Year><b:City>Princeton</b:City><b:Publisher>Princeton University Press</b:Publisher><b:RefOrder>10</b:RefOrder></b:Source><b:Source><b:Tag>JBC98</b:Tag><b:SourceType>Book</b:SourceType><b:Guid>{8EBEA451-2472-4DFA-9B14-F0F11B6A3B17}</b:Guid><b:Author><b:Author><b:NameList><b:Person><b:Last>Cobb</b:Last><b:First>J.B.</b:First></b:Person></b:NameList></b:Author></b:Author><b:Title>Whitehead Word Book</b:Title><b:Year>1998</b:Year><b:City>Claremont</b:City><b:Publisher>P&amp;F Press</b:Publisher><b:RefOrder>11</b:RefOrder></b:Source><b:Source><b:Tag>Bru57</b:Tag><b:SourceType>Book</b:SourceType><b:Guid>{6CC5D651-4457-4D3D-BE92-8BC6227BDDA9}</b:Guid><b:Author><b:Author><b:NameList><b:Person><b:Last>Walter</b:Last><b:First>Bruno</b:First></b:Person></b:NameList></b:Author></b:Author><b:Title>Of Music and Music Making</b:Title><b:Year>1961 (orig German ed. 1957)</b:Year><b:City>London</b:City><b:Publisher>Faber &amp; Faber</b:Publisher><b:RefOrder>12</b:RefOrder></b:Source><b:Source><b:Tag>Alf20</b:Tag><b:SourceType>Book</b:SourceType><b:Guid>{3731CDA8-F484-4660-8D29-C3541B43CB59}</b:Guid><b:Author><b:Author><b:NameList><b:Person><b:Last>Whitehead</b:Last><b:First>Alfred</b:First><b:Middle>North</b:Middle></b:Person></b:NameList></b:Author></b:Author><b:Title>The Concept of Nature</b:Title><b:Year>1920</b:Year><b:City>Cambridge</b:City><b:Publisher>Cambridge University Press</b:Publisher><b:RefOrder>13</b:RefOrder></b:Source><b:Source><b:Tag>Whi19</b:Tag><b:SourceType>Book</b:SourceType><b:Guid>{4641D1DD-57AE-4448-8E17-1BF253893F0E}</b:Guid><b:LCID>en-US</b:LCID><b:Author><b:Author><b:NameList><b:Person><b:Last>Whitehead</b:Last><b:First>Alfred</b:First><b:Middle>North</b:Middle></b:Person></b:NameList></b:Author></b:Author><b:Title>An Enquiry Concerning the Principles of Natural Knowledge</b:Title><b:Year>1919</b:Year><b:City>Cambridge</b:City><b:Publisher>Cambridge University Press</b:Publisher><b:RefOrder>14</b:RefOrder></b:Source><b:Source><b:Tag>Alf</b:Tag><b:SourceType>Book</b:SourceType><b:Guid>{BC1A1A37-3F2D-4AAB-A619-6CF97C9F6BFD}</b:Guid><b:Author><b:Author><b:NameList><b:Person><b:Last>Whitehead</b:Last><b:First>Alfred</b:First><b:Middle>North</b:Middle></b:Person></b:NameList></b:Author></b:Author><b:Title>Process and Reality: An Essay in Cosmology</b:Title><b:Year>1978 (1929)</b:Year><b:City>New York</b:City><b:Publisher>The Free Press</b:Publisher><b:ShortTitle>PR</b:ShortTitle><b:Edition>Ed. By D. R. Griffin/D. W. Sherburne</b:Edition><b:RefOrder>15</b:RefOrder></b:Source><b:Source><b:Tag>Whi</b:Tag><b:SourceType>BookSection</b:SourceType><b:Guid>{4EB904A1-AF43-43ED-B99D-365DD908F6B1}</b:Guid><b:Author><b:Author><b:NameList><b:Person><b:Last>Whitehead</b:Last><b:First>Alfred</b:First><b:Middle>North</b:Middle></b:Person></b:NameList></b:Author><b:BookAuthor><b:NameList><b:Person><b:Last>Whitehead</b:Last><b:First>Alfred</b:First><b:Middle>North</b:Middle></b:Person></b:NameList></b:BookAuthor></b:Author><b:Title>Mathematics and the Good</b:Title><b:BookTitle>Essays in Science and Philosophy</b:BookTitle><b:Year>1968</b:Year><b:City>New York</b:City><b:Publisher>Greenwood Press</b:Publisher><b:Pages>97-113</b:Pages><b:RefOrder>16</b:RefOrder></b:Source><b:Source><b:Tag>Whi38</b:Tag><b:SourceType>Book</b:SourceType><b:Guid>{572E50B4-7C38-4BE0-8431-82E70C450D78}</b:Guid><b:Author><b:Author><b:NameList><b:Person><b:Last>Whitehead</b:Last><b:First>Alfred</b:First><b:Middle>North</b:Middle></b:Person></b:NameList></b:Author></b:Author><b:Title>Modes of Thought</b:Title><b:Year>1968 (1938)</b:Year><b:City>New York</b:City><b:Publisher>Free Press</b:Publisher><b:RefOrder>17</b:RefOrder></b:Source><b:Source><b:Tag>Alf26</b:Tag><b:SourceType>Book</b:SourceType><b:Guid>{485C19C1-F2EE-43D3-AFCC-2D34177D532B}</b:Guid><b:Author><b:Author><b:NameList><b:Person><b:Last>Whitehead</b:Last><b:First>Alfred</b:First><b:Middle>North</b:Middle></b:Person></b:NameList></b:Author></b:Author><b:Title>Science and the Modern World</b:Title><b:Year>1925</b:Year><b:City>New York</b:City><b:Publisher>Macmillan</b:Publisher><b:RefOrder>18</b:RefOrder></b:Source><b:Source><b:Tag>Whi96</b:Tag><b:SourceType>Book</b:SourceType><b:Guid>{18862485-F900-48DD-A679-3C7C16553652}</b:Guid><b:Author><b:Author><b:NameList><b:Person><b:Last>Whitehead</b:Last><b:First>Alfred</b:First><b:Middle>North</b:Middle></b:Person></b:NameList></b:Author></b:Author><b:Title>Religion in the Making</b:Title><b:Year>2011</b:Year><b:City>New York</b:City><b:Publisher>Fordham</b:Publisher><b:RefOrder>19</b:RefOrder></b:Source><b:Source><b:Tag>Whi33</b:Tag><b:SourceType>Book</b:SourceType><b:Guid>{BEBBA6A9-C768-4DC3-A2D4-878C94DD9874}</b:Guid><b:Author><b:Author><b:NameList><b:Person><b:Last>Whitehead</b:Last><b:First>Alfred</b:First><b:Middle>North</b:Middle></b:Person></b:NameList></b:Author></b:Author><b:Title>Adventures of Ideas</b:Title><b:Year>1967 (1933)</b:Year><b:City>New York</b:City><b:Publisher>The Free Press</b:Publisher><b:ShortTitle>AI</b:ShortTitle><b:RefOrder>20</b:RefOrder></b:Source><b:Source><b:Tag>Whi17</b:Tag><b:SourceType>Book</b:SourceType><b:Guid>{54DE0D4C-1896-4C07-9AA5-D04C1339B6A1}</b:Guid><b:Author><b:Author><b:NameList><b:Person><b:Last>Whitehead</b:Last><b:First>Alfred</b:First><b:Middle>North</b:Middle></b:Person></b:NameList></b:Author><b:Editor><b:NameList><b:Person><b:Last>Bell</b:Last><b:First>Paul</b:First><b:Middle>A. Bogaard and Jason</b:Middle></b:Person></b:NameList></b:Editor></b:Author><b:Title>The Edinburgh Critical Edition of the Complete Works of Alfred North Whitehead, The Harvard Lectures of Alfred North Whitehead, 1924-1925, Philosophical Presuppositions of Science</b:Title><b:Year>2017</b:Year><b:City>Edinburgh</b:City><b:Volume>I</b:Volume><b:RefOrder>21</b:RefOrder></b:Source><b:Source><b:Tag>Wie84</b:Tag><b:SourceType>BookSection</b:SourceType><b:Guid>{CFC63328-9B37-4110-8FD4-1790AB69601B}</b:Guid><b:Author><b:Author><b:NameList><b:Person><b:Last>Wiehl</b:Last><b:First>R.</b:First></b:Person></b:NameList></b:Author><b:BookAuthor><b:NameList><b:Person><b:Last>Holz</b:Last><b:First>H.</b:First><b:Middle>&amp; Wolf-Gazo, E.</b:Middle></b:Person></b:NameList></b:BookAuthor></b:Author><b:Title>Prozesse und Kontraste. Ihre kategoriale Funktion in der philosophischen Ästhetik und Kunsttheorie auf der Grundlage der Whiteheadschen Metaphysik 315-341</b:Title><b:BookTitle>Whitehead und der Prozessbegriff. Beiträge zur Philosophie Alfred North Whiteheads auf dem Ersten Internationalen Whitehead-Symposion 1981</b:BookTitle><b:Year>1984</b:Year><b:City>Freiburg</b:City><b:RefOrder>22</b:RefOrder></b:Source><b:Source><b:Tag>Dan13</b:Tag><b:SourceType>Book</b:SourceType><b:Guid>{05B98390-62CA-4286-A752-C10F9D5CC284}</b:Guid><b:Author><b:Author><b:NameList><b:Person><b:Last>Danto</b:Last><b:First>A.C.</b:First></b:Person></b:NameList></b:Author></b:Author><b:Title>what art is</b:Title><b:Year>2013</b:Year><b:City>New Haven</b:City><b:Publisher>Yale University Press</b:Publisher><b:RefOrder>23</b:RefOrder></b:Source><b:Source><b:Tag>Har87</b:Tag><b:SourceType>Book</b:SourceType><b:Guid>{1D0043FF-3E84-48C2-A938-D53CA4A5012C}</b:Guid><b:Author><b:Author><b:NameList><b:Person><b:Last>Hartshorne</b:Last><b:First>Charles</b:First></b:Person></b:NameList></b:Author></b:Author><b:Title>Wisdom as Moderation</b:Title><b:Year>1987</b:Year><b:City>New York</b:City><b:Publisher>SUNY Press</b:Publisher><b:RefOrder>24</b:RefOrder></b:Source><b:Source><b:Tag>Jon03</b:Tag><b:SourceType>ArticleInAPeriodical</b:SourceType><b:Guid>{E8027778-011B-4DA7-82DE-E12EE989ADC8}</b:Guid><b:Author><b:Author><b:NameList><b:Person><b:Last>Jones</b:Last><b:First>Richard</b:First><b:Middle>Elfyn</b:Middle></b:Person></b:NameList></b:Author></b:Author><b:Title>A Whiteheadian Aesthetic and a Musical Paradigm</b:Title><b:Year>2003</b:Year><b:PeriodicalTitle>Canadian Aesthetics Journal / Revue canadienne d'esthétique</b:PeriodicalTitle><b:Month>Fall</b:Month><b:RefOrder>25</b:RefOrder></b:Source><b:Source><b:Tag>Pei95</b:Tag><b:SourceType>Book</b:SourceType><b:Guid>{474A4D97-A635-449F-9E33-9C1145860AAC}</b:Guid><b:Author><b:Author><b:NameList><b:Person><b:Last>Peirce</b:Last><b:First>Charles</b:First><b:Middle>Sanders</b:Middle></b:Person></b:NameList></b:Author></b:Author><b:Title>MS 647</b:Title><b:Year>1910</b:Year><b:RefOrder>26</b:RefOrder></b:Source><b:Source><b:Tag>ISk03</b:Tag><b:SourceType>Book</b:SourceType><b:Guid>{5AA8A784-4987-441D-ACB2-29AD9356007F}</b:Guid><b:Author><b:Author><b:NameList><b:Person><b:Last>Berkeley</b:Last><b:First>I.</b:First><b:Middle>Skrupskelis y E.</b:Middle></b:Person></b:NameList></b:Author></b:Author><b:Title>The Correspondence of William James</b:Title><b:Year>2003</b:Year><b:City>Charlottesvile</b:City><b:Publisher> University of Virginia Press</b:Publisher><b:RefOrder>27</b:RefOrder></b:Source><b:Source><b:Tag>Kan87</b:Tag><b:SourceType>Book</b:SourceType><b:Guid>{259E8336-6DB8-4873-829F-5743E8BDCBB6}</b:Guid><b:Author><b:Author><b:NameList><b:Person><b:Last>Kant</b:Last><b:First>Imanuel</b:First></b:Person></b:NameList></b:Author></b:Author><b:Title>Critique of Judgment. Trans. Werner S. Pluhar</b:Title><b:Year>1987</b:Year><b:City> Indianapolis</b:City><b:Publisher>Hackett</b:Publisher><b:RefOrder>28</b:RefOrder></b:Source><b:Source><b:Tag>Cha98</b:Tag><b:SourceType>Book</b:SourceType><b:Guid>{8974D3D4-E386-4A88-8821-76F2F7524EA1}</b:Guid><b:Author><b:Author><b:NameList><b:Person><b:Last>Peirce</b:Last><b:First>Charles</b:First><b:Middle>Sanders</b:Middle></b:Person></b:NameList></b:Author></b:Author><b:Title>The Essential Peirce, Selected Ohilosophical Writings, Volume 2 (1893-1913)</b:Title><b:Year>1998</b:Year><b:City>Bloomington and Indianapolis</b:City><b:Publisher>Indiana University Press</b:Publisher><b:RefOrder>29</b:RefOrder></b:Source><b:Source><b:Tag>FDa72</b:Tag><b:SourceType>Book</b:SourceType><b:Guid>{69945687-AD3A-4FDC-9283-EF88F8508367}</b:Guid><b:Author><b:Author><b:NameList><b:Person><b:Last>Martin</b:Last><b:First>F.</b:First><b:Middle>David</b:Middle></b:Person></b:NameList></b:Author></b:Author><b:Title>Art and the Religious Experience: The 'Language' of the Sacred</b:Title><b:Year>1972</b:Year><b:City>Lewisburg</b:City><b:Publisher>Bucknell University Press</b:Publisher><b:RefOrder>30</b:RefOrder></b:Source><b:Source><b:Tag>FDa52</b:Tag><b:SourceType>ArticleInAPeriodical</b:SourceType><b:Guid>{18DDC88C-EA0B-476B-B039-EA4B4FE650A8}</b:Guid><b:Author><b:Author><b:NameList><b:Person><b:Last>Martin</b:Last><b:First>F.</b:First><b:Middle>David</b:Middle></b:Person></b:NameList></b:Author></b:Author><b:Title>UNREALIZED POSSIBILITY IN THE AESTHETIC EXPERIENCE</b:Title><b:Year>1952</b:Year><b:PeriodicalTitle>The Journal of Philosophy</b:PeriodicalTitle><b:Month>July</b:Month><b:Pages>393-400</b:Pages><b:RefOrder>31</b:RefOrder></b:Source><b:Source><b:Tag>Jan</b:Tag><b:SourceType>Book</b:SourceType><b:Guid>{804D4CBA-34C6-4743-AC04-539B74BEE696}</b:Guid><b:Author><b:Author><b:NameList><b:Person><b:Last>Jankelevitch</b:Last><b:First>Vladimir</b:First></b:Person></b:NameList></b:Author></b:Author><b:Title>music and the ineffable</b:Title><b:Year>2003</b:Year><b:City>Princeton</b:City><b:Publisher>Princeton University Press</b:Publisher><b:RefOrder>32</b:RefOrder></b:Source><b:Source><b:Tag>Lis17</b:Tag><b:SourceType>Book</b:SourceType><b:Guid>{45D0D3E5-844E-4D74-97FE-F4E127BD6787}</b:Guid><b:Author><b:Author><b:NameList><b:Person><b:Last>Giombini</b:Last><b:First>Lisa</b:First></b:Person></b:NameList></b:Author></b:Author><b:Title>Musical Ontology, A guide for the Perplexed</b:Title><b:Year>2017</b:Year><b:City>Milano</b:City><b:Publisher>Mimesis</b:Publisher><b:RefOrder>33</b:RefOrder></b:Source><b:Source><b:Tag>Hasn1</b:Tag><b:SourceType>BookSection</b:SourceType><b:Guid>{931E391B-14C9-4C14-8F81-C6E8204C5BA6}</b:Guid><b:Author><b:Author><b:NameList><b:Person><b:Last>Hasty</b:Last><b:First>Christopher</b:First></b:Person></b:NameList></b:Author><b:BookAuthor><b:NameList><b:Person><b:Last>Obert</b:Last><b:First>Simon</b:First></b:Person></b:NameList></b:BookAuthor></b:Author><b:Title>From Object to Event The Case of Webern’s Sixth Bagatelle</b:Title><b:Year>2012 </b:Year><b:City>Basel</b:City><b:BookTitle>Wechselnde Erscheinung Sechs Perspektiven auf Anton Weberns sechste Bagatelle (Webern-Studien 1)</b:BookTitle><b:Publisher>Lafite</b:Publisher><b:RefOrder>34</b:RefOrder></b:Source><b:Source><b:Tag>Zbi</b:Tag><b:SourceType>Book</b:SourceType><b:Guid>{B37230CF-8A6C-4063-A4DD-1EE11C56DA91}</b:Guid><b:Author><b:Author><b:NameList><b:Person><b:Last>Karkowski</b:Last><b:First>Zbigniew</b:First></b:Person></b:NameList></b:Author></b:Author><b:Title>THE METHOD IS SCIENCE, THE AIM IS RELIGION</b:Title><b:Year>2002</b:Year><b:City>Amsterdam</b:City><b:Publisher>https://fyours.wordpress.com/2011/01/15/the-method-is-science-the-aim-is-religion/</b:Publisher><b:RefOrder>35</b:RefOrder></b:Source><b:Source><b:Tag>Mar11</b:Tag><b:SourceType>ArticleInAPeriodical</b:SourceType><b:Guid>{6A69DC19-D8D8-4261-8479-467DB9272900}</b:Guid><b:Title>Aesthetics in the philosophy of Alfred North Whitehead</b:Title><b:Year>2011 (Vol 48)</b:Year><b:Author><b:Author><b:NameList><b:Person><b:Last>Kaplicky</b:Last><b:First>Martin</b:First></b:Person></b:NameList></b:Author></b:Author><b:Month>January</b:Month><b:Pages>157-171</b:Pages><b:PeriodicalTitle>Estetika : The Central European Journal of Aesthetics</b:PeriodicalTitle><b:LCID>en-GB</b:LCID><b:RefOrder>36</b:RefOrder></b:Source><b:Source><b:Tag>And89</b:Tag><b:SourceType>Book</b:SourceType><b:Guid>{C4A65C5F-9592-47B5-BB32-F192E5AF286D}</b:Guid><b:LCID>en-GB</b:LCID><b:Author><b:Author><b:NameList><b:Person><b:Last>Baker</b:Last><b:First>Andrew</b:First></b:Person></b:NameList></b:Author></b:Author><b:Title>Greek Musical Writings II</b:Title><b:Year>1989</b:Year><b:City>Cambridge</b:City><b:Publisher>Cambridge University Press</b:Publisher><b:RefOrder>37</b:RefOrder></b:Source><b:Source><b:Tag>Ken</b:Tag><b:SourceType>Book</b:SourceType><b:Guid>{A885984B-EC8E-4D3A-AB58-EBCC4ABE963E}</b:Guid><b:Author><b:Author><b:NameList><b:Person><b:Last>LaFave</b:Last><b:First>Kenneth</b:First></b:Person></b:NameList></b:Author></b:Author><b:Title>The Sound of Ontology Music as a Model for Metaphysics</b:Title><b:Year>2018</b:Year><b:City>London</b:City><b:Publisher>Lexington Books</b:Publisher><b:RefOrder>38</b:RefOrder></b:Source><b:Source><b:Tag>LAN48</b:Tag><b:SourceType>Book</b:SourceType><b:Guid>{B19297C1-D6AC-44C4-8858-DD57F9CD466A}</b:Guid><b:Author><b:Author><b:NameList><b:Person><b:Last>Langer</b:Last><b:First>Susanne</b:First><b:Middle>K.</b:Middle></b:Person></b:NameList></b:Author></b:Author><b:Title>Philosophy in a New Key, A Study in the Symbolism of Reason, Rite, and Art</b:Title><b:Year>1954 (1948)</b:Year><b:City>New York</b:City><b:Publisher>Mentor</b:Publisher><b:Edition>6. </b:Edition><b:RefOrder>39</b:RefOrder></b:Source><b:Source><b:Tag>Maa20</b:Tag><b:SourceType>BookSection</b:SourceType><b:Guid>{9EAADFAB-75CE-48B4-ABE6-E1C08FAB7DFF}</b:Guid><b:Title>The Aesthetic Turn</b:Title><b:Year>2020</b:Year><b:Publisher>Cambridge Scholars</b:Publisher><b:Author><b:Author><b:NameList><b:Person><b:Last>Maaßen</b:Last><b:First>Helmut</b:First></b:Person></b:NameList></b:Author><b:BookAuthor><b:NameList><b:Person><b:Last>(ed.)</b:Last><b:First>Alexander</b:First><b:Middle>Haitos &amp; Helmut Maaßen</b:Middle></b:Person></b:NameList></b:BookAuthor></b:Author><b:BookTitle>Variations on Process Metaphysics</b:BookTitle><b:LCID>en-GB</b:LCID><b:Pages>110-128</b:Pages><b:City>Newcastle upon Tyne</b:City><b:RefOrder>40</b:RefOrder></b:Source></b:Sources>